Folder 1: Newspaper clippings and building dedication

• “Little Theatre Plans Building,” Greenville News, June 26, 1962, page 12H
• “Greenville Growing as Cultural Center,” The Greenville News, September 29, 1965, page 2
•  “Greenville Little Theatre Dedicates Home Today,” Greenville News, April 9, 1967, page 1 section 4
• Program, Dedication of Charles E. Daniel Theatre, April 9, 1967

Folder 2: Programs and Playbills, 1964-1969

• Brochure, “The Music Man,” September 24, 1963
• “The Sound of Music,” by Rodgers and Hammerstein; September 29-October 10, 1964
• “Stop the World, I Want to Get Off,” by Bricusse and Newley; February 23-March 13, 1965
• “Hello, Dolly!” by Stewart and Herman; October 7-25, 1968
• “The Madwoman of Challiot,” by Jean Giraudoux; December 3-19, 1968
• “Sweet Charity,” by Simon, Coleman, Fields; March 1-18, 1969
• “The King and I,” by Rodgers and Hammerstein; October 10-26, 1969
• “I Do!  I Do!” Jones and Schmidt; December 2-20, 1969

Folder 3: Programs and Playbills, 1970-1974

• “Will Rogers’ U.S.A.,” by Paul Shyre; January 14-24, 1970 [James Whitmore]
• “A Reminisce-In” by Laura Smith Ebaugh; May 1-3, 1970
• “Cat on a Hot Tin Roof,” by Tennessee Williams; February 18-March 6, 1971
• “Man of La Mancha,” by Dale Wasserman; May 18-June 5, 1971
•  “Fiddler on the Roof,” by Harold Prince; October 1-20, 1971
• “The Member of the Wedding,” by Carson McCullers; February 25-March 11, 1972 [Sarah Reese]
• “1776,” by Sherman Edwards and Peter Stone; May 4-20, 1972
• “Promises, Promises,” by Simon, Wilder, and Diamond; October 5-21, 1972
• “Butterflies are Free,” by Leonard Gershe; February 8-24, 1973
• “Company,” by Sondheim and Furth; May 10-26, 1973
• “George M!: A Valentine to George M. Cohen,” by Cohen, Stewart, Pascal;  October 4-20, 1973
• “Look Homeward, Angel,” by Ketti Frings; February 8-23, 1974
• “The Impossible Years,” by Bob Fisher and Arthur Max; May 11-25, 1974

Folder 4: Programs and Playbills, 1975-1979

• “Oklahoma,” by Rodgers and Hammerstein; [1975]
• “Sleuth,” by Anthony Shaffer; January 31-February 15, 1975
• “The Boy Friend,” by Sandy Wilson; May 23-June 7, 1975
• “The Glass Menagerie,” by Tennessee Williams; February 4-19, 1976 [Joanne Woodward]
• “The Sunshine Boys,” by Neil Simon; May 21-June 5, 1976
• “Shenandoah,” by Gary Geld and Peter Udell, etc.; October 1-16, 1976
• “The Lion in Winter,” by James Goldman; November 19-December 4, 1976
• “Caesar and Cleopatra,” by George Bernard Shaw; 1977
• “The Royal Family,” by George S. Kaufman and Edna Ferber; 1977
• “110 in the Shade,” by Richard Nash; 1977
• “The Mousetrap,” by Agatha Christie; February 4-19, 1977
• “Sugar,” by Styne, Merrill and Stone; May 5-21, 1977
• “Seesaw,” by Coleman, Fields and Bennett; 1978
• “Gypsy,” by Laurents, Styne and Sondheim; 1978
• “Cactus Flower,” by Abe Burrows; November, 1978
• “Play it Again Sam,” by Woody Allen; February, 1979
• “A Little Night Music,” by Sondheim and Wheeler; September, 1979
• “Same Time Next Year,” by Bernard Slade; November 1979

Folder 5: Programs and Playbills, 1980-1982

• “Last of the Red Hot Lovers,” by Neil Simon; February 1980
• “Anything Goes,” by Cole Porter; May 1980
• “On Golden Pond,” by Ernest Thompson; November 1980
• “The King and I,” by Rodgers and Hammerstein; September 1981
• “The Little Foxes,” by Lillian Hellman, November 1981
• “Chapter Two: A New Comedy,” by Neil Simon; February 1982
• “Mame,” by Jerome Lawrence and Robert E. Lee; September 1982