The period between the First World War and the fall of the Berlin Wall is often characterized as the age of extremes—while this era witnessed unprecedented violence and loss of human life, it also saw a surge in humorous entertainment in both democratic and authoritarian societies. The Politics of Humour examines how works such as satirical magazines and comedy films were used both to reaffirm group identity and to exclude those who did not belong.The essays in this collection analyse the political and social context of comedy in Europe and the United States, exploring topics ranging from the shifting targets of ethnic jokes to the incorporation of humour into wartime broadcasting and the uses of satire as a means of resistance.

America According to Colbert: Satire as Public Pedagogy post 9/11 argues that, in contrast to the anti-intellectualism, the sensationalism, and the punditry that tend to govern most mass media today, Stephen Colbert's program offers his audience the opportunity to understand the context through which most news is reported and to be critical of it.

In this book, Duncan Kelly excavates, from the history of modern political thought, a largely forgotten claim about liberty as a form of propriety. By rethinking the intellectual and historical foundations of modern accounts of freedom, he brings into focus how this major vision of liberty developed between the seventeenth and the nineteenth centuries.

The 2008 US presidential campaign saw politicians utilizing all types of new media -- Facebook, MySpace, YouTube, Twitter, e-mail, and cell phone texting – to reach voters of all ages, ethnicities, socio-economic backgrounds, and sexual orientations. This volume examines the use of these media and considers the effectiveness of reaching voters through these channels. It explores not only the use of new media and technologies but also the role these tactics played in attracting new voters and communicating with the electorate during the 2008 presidential debates. Chapters focus on how the technologies were used by candidates, the press, and voters.

Politics, Humor, and the Counterculture discusses the post-war period (1945-1972) through the lenses of three artists: Ken Nordine, Lenny Bruce, and Firesign Theatre. Their humor cut through the hypocrisy of the Cold War and the prevailing culture and expanded our horizons. From the Beats to the peace and civil rights movements, these humorists illuminate America from their unique perspectives. Vwadek P. Marciniak highlights the poetic nature of humor as well as its insights on our political and social habits: addiction, conformity, marketing, and fear. The modern is giving way to the post-modern, the fixed to an existential attitude: humanism and humor.